PROJECT: Beyond's latest single, "The End", is based on the idea that nothing exists in isolation.

"Space Cadet 56" is a sci-fi project spanning across an illustrated novel, a music album, and animated visuals. But no matter the visual, the focus is clearly the storytelling.

Emily Ricks' "Can't Catch Me" perfectly mirrors what the lyrics are actually singing: paranoia, hyper-vigilance, the feeling of constantly looking over your shoulder.

Andy Smythe's "Beautiful Day" is pure and uncomplicated joy and I mean that as the highest possible compliment.

Michellar's "Can't Get You Out of My Mind" is a slow-burning song drowned in that all-too-familiar vintage vibe.

The idea of getting in a car and driving far away from our "hellish" problems is certainly a tempting one. And that is exactly the metaphor Rob Fletcher uses in "Hell's Gate".

Minor describes his work as "existential indie", and that seems pretty accurate. Go catch "Bureau of Change" now!

"Watch Me Die Inside" is highkey more of a psychological exhibit, like, three rooms, each one illuminating a different state of internal collapse, each one refusing to look away.