RH Fox Turned His Nature Photography Into Music and the Result Is Stunning!
You know those albums you put on when you need the world to just... slow down for a second? "Painting in the Dark" by RH Fox is one of those albums. Something to put on so you can stop and breathe.
RH Fox is a Toledo, Ohio-born pianist, composer, and an award-winning nature photographer! The photography is literally where the music comes from, too. He goes out, shoots landscapes, captures these fleeting moments in nature, and then goes home and tries to figure out what those moments sound like. That's the whole premise of this debut album, and once you know that, you hear it everywhere!
"Painting in the Dark" was released on July 10, 2026, co-produced with New Age pianist David Lanz and vocalist-producer Kristin Amarie, with GRAMMY-winning violinist Charlie Bisharat showing up across several tracks. That's an insane lineup for anyone's debut.

The opening track, "Follow the Creek" is where it all begins, and to be honest, this track alone would have been enough to get me to keep listening. Fox's piano comes in first. Then Charlie Bisharat's violin slides in beside it and something just clicks. I kept thinking about those walks you take somewhere familiar and notice things you've somehow always missed. Like, the way light sits on water, the sound your feet make on different ground. That's the feeling this track gives you, and I don't think that's an accident. Personal highlight of the whole album for me.
"The Mystic" is where Fox makes it clear he's not just making a pretty piano record. Hand drums come in, then a bouzouki (yes, a bouzouki). If "Follow the Creek" is the album settling you in, "The Mystic" is the album showing you it has range. I loved it! The title track, "Painting in the Dark," is where things get a little more atmospheric and a little more mysterious, even and "Passage of Time" is the album at its most patient, and I mean that as a compliment. It just moves at its own pace, completely unbothered. Perfect for any moment when you need to reset on your daily routine.
"Seabirds' Lament" prepares you for something melancholic. There's a wideness to this track. A sense of open space. This is the track where Fox's background as a nature photographer feels most present, I believe. Really beautiful piece of writing. And then there's "Free as a Bird." The Beatles cover. Now, covering a Beatles song on your debut album is either a great idea or a very risky one, and the line between those two things is thin. But Fox pulls it off! His interpretation is actually quite incredible.

Here's what I keep coming back to with "Painting in the Dark": Fox seems completely clear on what he wanted to convey and how he wanted to convey it. Ten tracks, nine originals, one cover, all of it pointing in the same direction. That kind of focus is pretty rare which, ultimately makes the whole album feel more profound and relatable. The nature photography angle isn't just a fun fact about him either as it shapes how his music sounds.
If you're already a fan of Ludovico Einaudi, Fiona Joy Hawkins, or Jan Uve, this is a no-brainer. Go listen immediately! But even if contemporary instrumental piano isn't usually your thing, I'd encourage you to give this one a shot.
"Painting in the Dark" is out now on your choice of platform.
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