'Riverlights' is our first real taste of what Stillwater Lines' discography will sound like. Turns out, it was worth the wait!

Emily Ricks' "Can't Catch Me" perfectly mirrors what the lyrics are actually singing: paranoia, hyper-vigilance, the feeling of constantly looking over your shoulder.

FMU (F*ck Me Up) is Ohnoah's second single and it does not shy away from stepping into the actual ugliness of loving something that's destroying you.

OBLIK OBLOKI's "Forever Young" is an experimental is a synth-pop track that layers soft vocal pop track layering soft vocals with bright music. The playful indie vibes, bouncy bass, all made me sway with the music.

I'll be honest. I didn't expect to still be thinking about this record three days after I first heard it.

Damien Cain's "Caleb (JD Radio Edit)" is a piano-driven, pop-rock ballad about memory and loss, followed by a beautifully done male duet.

Korda Korder's new release, "Everything You Ever Wanted To Be", begins just as good coming-of-age movies do: with a drumbeat establishing itself, followed by a guitar riff that sounds almost like a remembered melody.

"Your Perfect" is heavily inspired by stories of high school drama, one-sided crushes, and the pressure of having to live up to someone else's ideals, the track does a great job of reminding you of your teen years.